Page:Discourses of Epictetus.djvu/176

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122
EPICTETUS.

attitude for ever. But the works of God have power of motion, they breathe, they have the faculty of using the appearances of things, and the power of examining them. Being the work of such an artist do you dishonour him? And what shall I say, not only that he made you, but also entrusted you to yourself and made you a deposit to yourself? Will you not think of this too, but do you also dishonour your guardianship? But if God had entrusted an orphan to you, would you thus neglect him? He has delivered yourself to your own care, and says, I had no one fitter to intrust him to than yourself: keep him for me such as he is by nature, modest, faithful, erect, unterrified, free from passion and perturbation. And then you do not keep him such.

But some will say, whence has this fellow got the arrogance which he displays and these supercilious looks?—I have not yet so much gravity as befits a philosopher; for I do not yet feel confidence in what I have learned and in what I have assented to: I still fear my own weakness. Let me get confidence and then you shall see a countenance such as I ought to have and an attitude such as I ought to have: then I will show to you the statue, when it is perfected, when it is polished. What do you expect? a supercilious countenance? Does the Zeus at Olympia[1] lift up his brow? No, his look is fixed as becomes him who is ready to say

Irrevocable is my word and shall not fail.—Iliad, i. 526.

Such will I show myself to you, faithful, modest, noble, free from perturbation—What, and immortal too, exempt from old age, and from sickness? No, but dying as becomes a god, sickening as becomes a god. This power I possess; this I can do. But the rest I do not possess, nor can I do. I will show the nerves (strength) of a philosopher. What

    Victory stood on the hand of the goddess, as we frequently see in coins. See. i. 6, 23, and the note in Schweig.'s edition. Cicero, de Natura Deorum, iii. 34.

  1. The great statue at Olympia was the work of Phidias (Pausanias, v. 11). It was a seated colossal chryselephantine statue, and held a Victory in the right hand.