political mission. One attaché was required to make a special study of the geology, another of the arts, a third of the industry, as if the country had been hitherto wholly unexplored by Europeans. The proposed adventure excited much interest, and the two Academies of Inscriptions and Beaux Arts solicited permission to send representatives. This was duly accorded, and MM. Flandin and Coste were elected by the suffrage of the members of the Academies: the one in the capacity of artist, the other in that of architect.
M. Coste was already familiar with the East, and was known by a work on the Arabian monuments of Cairo. M. Flandin was apparently unused to the inconveniences of Oriental travel, and his book presents us with a harrowing picture of the sufferings he endured. It is indeed wonderful that he survived his cook, whom he describes as a 'veritable empoisonneur,' or the numerous lacerations of soul he underwent as, one by one, his friends returned to the shade of the boulevards and left him behind a prey to the tortures of the Persian sun. Still more wonderful that he should have escaped alive from so many perils. At one time, he and his horse roll together into a trench from which there seemed no visible escape; at another, the enthusiastic artist is seen scrambling up the rock of Behistun with bleeding feet and hands to find his toil and peril fruitless, and to accomplish a descent backwards by a 'veritable gymnastique de lézard'; or again his excitable temper involves him in personal encounters with the natives, in which blows are freely exchanged on both sides, and on one occasion he received a stab with a poniard. These adventures, however amusing to himself and his readers, unfortunately involved his antagonists in shocking punishments by flogging, which
¹Flandin, Voyage. i. 451.
