of the Palace of Darius proves that the transcription of Westergaard is correct, and that of Rich wrong (Plate XIII.). Another photograph shows that the error in one of Niebuhr s copies is due to a defect in the original.[1]Elsewhere Niebuhr is shown to be even more careful than Westergaard.[2] The photographs of the monuments and bas-reliefs meet with a very varying measure of success. Some are so blurred and indistinct that it is fortunate that they are each labelled in German, French and English; otherwise we might doubt whether they are correctly described.[3] Comparative success is reached more frequently, and excellence occasionally. It is particularly unfortunate that the great sculptured staircase has not been taken on a sufficiently large scale to bring out the figures with distinctness (PL 77 ff.); Noeldeke is, however, of opinion that it is the best view of them taken since Ouseley, thus passing over both Porter and the two French artists, Texier and Flandin. Among the most valuable views from Murgab are the two plates showing the Tomb of Cyrus (Pl.128-9). The series closes with wliat might pass for a snowy mountain in Switzerland, but which is explained to be fragments of a bas-relief at Pasargadae (PL 137). Noeldeke, like Texier, fully believes in the destruction of some of the buildings by fire, and he also considers that few of them were ever thoroughly completed; indeed he attributes to that cause the absence of all traces of walls round the Hall of Xerxes, or of a roof. He thinks there never were any more columns than can now be identified, and that some even of these were left unfinished. The same applies to the Entrance Porch; possibly the gates on the North and South sides (which are supposed to have
