Page:Discovery and Decipherment of the Trilingual Cuneiform Inscriptions.djvu/223

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194
CUNEIFORM INSCRIPTIONS

in fact but one real kind of Babylonian writing.'[1]Although Rich found avast number of bricks at Babylon, he observed that the inscriptions were nearly all alike: in fact only four different legends had up to that time been noticed on the Babylonian bricks. The most common consists of seven lines. The others are in six, four and three lines; of these Grotefend had seen copies of the inscriptions in seven and three lines. The other two are comparatively rare. The inscribed bricks are generally about 13 in. square by 3 in. thick, and are of different colours, red, white and black.[2] They were usually found with the inscriptions downwards, and when they occur in a different position there is a strong presumption that they have been moved from their original place. The cylinders found by Mr. Rich varied from 1 to 3 in. in length and were of different materials—some of stone, others of paste or composition.[3] They are perforated to admit of the passage of a cord, and were carried about to be used for seals. Rich was among the earliest to recognise that this was their purpose; and he thus accounted for the writing being from right to left, contrary to the invariable custom. He also made the useful suggestion that, as the language of the first Persepolitan was no doubt that of the court of Darius, the languages of the other two columns were in all probability those of Susa and

  1. Rich, p. 186, note. This statement is, however, too sweeping, for Grotefend always clearly distinguished two distinct kinds of Babylonian, corresponding to the cursive and the hieratic. Rich's first and third are examples respectively of these two styles. The former, or cursive, occurs in lapidary inscriptions such as Rich has described; the second, or hieratic, on bricks and cylinders, and in the long inscription of Sir Harford Jones (the India House Inscription). Rich's second species is not a distinct variety. Its peculiarity consists only in the 'distortion of oblique elongation,' due perhaps to the eccentricity of the engraver. (See Rawlinson in J. R. A. S, X. 24.)
  2. Rich, p. 90.
  3. Ib. p. 190.