left is a small ruin called (8) the South-eastern Edifice. Turning back towards the north, between these ruins and the hill are the ruins of (9) the Central Edifice, a building resembling the Porch at the summit of the entrance. Beyond, in a line with the Columnar Edifice are the huge remains of the (10) Hall of the Hundred Columns. On the hill overhanging the Platform are two rock tombs similar to those at Naksh-i-Rustam; and, above, some travellers have traced three distinct walls and towers that formed the defence of the palace and city.
The palaces stand upon an artificial terrace of their own raised above the level of the platform, and the stairs leading up to them have afforded an opportunity for the display of ornamentation in bas-relief. The Porch is invariably protected by colossal guards hewn out of the stone. Over the great door of the main entrances the king is depicted entering or leaving the building, with attendants bearing the royal parasol and fly-chaser. On the doors leading to the lateral chambers he may be seen in dignified conflict with wild animals; or, as in the Palace of Xerxes, these scenes are replaced by attendants bearing viands to the royal table. Some of the most elaborate designs are met in the Central Edifice and in the Hall of the Hundred Columns. In the latter the king appears seated in a chair of state raised above the heads of five rows of warriors; while at the opposite door his throne is similarly supported by three rows of figures representing subject nations. These bas-reliefs are surrounded by an exquisite fretted fringe of roses, diversified above by small figures of bulls and lions; and over the whole the winged figure of Ormuzd is seen to hover.
A large inscription occupies the outside wall of the southern terrace. It is in four tablets, known as the
