whole accurate, description of the ruins. He noticed the irregular slope of the terrace, which he attributed to the exigencies of defence. The double staircase leading to the platform is so constructed that 'one can easily ride up on horseback.' On reaching the summit he noticed the Porch, the walls of which, he said, are supported by two great horses in white marble, larger than elephants, each with two wings, and with eyes expressive of the dignity of the lion. Beyond is another door adorned in the same manner, and exactly between the two stands a large column on its pedestal.[1]The Porch leads to the Columnar Edifice, where he saw twenty-seven columns still standing (not, as Purchas says, twenty), but there had evidently originally been forty-eight arranged in six rows of eight each.
He observed that they belonged to two different orders: the one resembled the column in the Porch; the others, he says, have no capitals except that upon one he perceived the half of a horse without its head. Singularly enough he falls into the same error as Gouvea, an error reproduced in some of the earlier engravings of the ruins; and represents the colunms as standing upon the same level as the Porch. According to our author, therefore, on leaving the Columnar Edifice he came to a 'very beautiful stair, which though not so large nor so high as the first, is incomparably more beautiful and magnificent, having on the walls and balustrade a triumph or procession of men curiously clothed, carrying flags and banners and offerings. At one extremity of the procession we see a chariot drawn by horses, in which there is an altar from whence a flame of fire is seen to rise. At the other are combats of animals, among which he observed
- ↑ He only mentions one (p. 146). He does not seem to have noticed any difference in the animals in the farther Portico.
