They include two general views upon a large scale. In the first a few inaccuracies detract somewhat from its value. We observe birds of a highly imaginative design perched upon the columns of the Porch; but whether they are designed to represent portions of the capital, or merely temporary visitors, does not appear. The sculptured stairs are incorrectly represented, showing only a single ascent, and without the projecting flight in the centre—a deficiency removed in the description given in the text. The columns are massed too closely together; the Palace of Darius is placed on the south-west extremity of the platform, in the position that should be left vacant for the Palace of Ochus; and the stairs appear on the north instead of on the south side of the Palace. On the other hand, 2we find the Hall of the Hundred Columns correctly placed for the first time on the same elevation as the Porch. The second view is more valuable. It is taken from about the same place as Niebuhr subsequently selected. The eye first rests upon the Hall of the Hundred Columns with the cistern and entrance porch to the right. Looking southwards, the Columnar Edifice is seen to occupy a prominent position, and beyond it lies the Palace of Darius, standing upon its own terrace, but, by an unaccountable error, with the faade turned to the east instead of the south. It appears unduly cramped between the columns and the Palace of Xerxes, which rises upon its terrace at an apparent elevation considerably higher than that of Darius. The double stairs leading to it on the east, and the straight flight down to the southern terrace are given. Under the hill we see a tolerable representation of the southeast edifice, and as we turn back to the Hall of the Hundred Columns we observe a poor representation of the Central Edifice. There is a tendency to represent
