satiable cravings of humanity, living in a country village conveys a satisfaction which is incommunicable. A great many authors have written about it, just as a great many authors have written about the satisfaction of being in love, but in the one, as in the other case, the essence of the thing escapes. People rejoice in sweethearts because all humanity craves love, and they thrive in country villages because they crave human life. Now the living spirit of neither of these things can be caught in a net of words. All the foolish, fond doings of lovers may be set down on paper by whatever eavesdropper cares to take the trouble, but no one can realize from that record anything of the glory in the hearts of the unconscious two. All the queer grammar and insignificant surface eccentricities of village character may be ruthlessly reproduced in every variety of dialect, but no one can guess from that record the abounding flood of richly human life which pours along the village street.
This tormenting inequality between the thing felt and the impression conveyed had vexed us unceasingly until one day Simple Martin, the town fool, who always says our wise things, said one of his wisest. He was lounging by the watering-trough one sunny day in June, when a carriage-load of "summer folk" from Windfield over the mountain stopped to water their horses. They asked him, as they always, always ask all of us, "For mercy's sake, what do you people do all the time, away off here, so far from everything."
Simple Martin was not irritated, or perplexed, or rendered helplessly inarticulate by this question, as the rest of us had always been. He looked around him at the lovely, sloping lines of Hemlock Mountain, at the Necron-
