there was in the same boat. You could see how they all despised it. Except, of course, the girls. While he was changing his shoes in silent alarm and disgust in the cloak-room, who should come in but Jenkins, a "Lower Middle" at school. Neale didn't know Jenkins except by name, but at least he was some one to lean on. Neale was at once very cordial and Jenkins, surprised and flattered by this attention from an upper-class man, promised to show him how everything was done. They went into the ball-room, Neale clinging morally for dear life to Jenkins. A number of other young men of fifteen and sixteen, and girls who looked almost like young ladies, were sitting on opposite sides of the room. A bald-headed man to whom Jenkins referred as "One Lung" sat at the piano. The dancing master was young, German, energetic and thorough. He called the class to their feet, explained and illustrated the step and made them all practice it en masse, "One and two! One and two!" Then after a few minutes the music struck up and he left them to choose partners and dance. Neale, of course, did nothing of the kind, but pretended he couldn't find a partner (there were twice as many girls as boys) , and went back to his seat. This was a tactical error. The Master spotted him at once. "Couldn't find a partner? Oh, dance with me, then." He whirled Neale about the room till his soul sickened, led him up to the other side of the room and sent him off with a bony, red-haired girl with freckles. Neale was caught that way twice, but no more after that. He had at least ordinary sense, he told himself. Next time the music started, he gulped down his objections to the whole proceeding and bowed to the prettiest girl in the room.
The course was very thorough, covering much that was obsolescent, and a good deal that was definitely dead. In that and succeeding lessons Neale received instruction in the steps of the Polka, the Schottische, the Varsovienne. The two-step he really learned, managing to "Yale" down the length of the hall without stepping on his partner's feet; and although he hated the waltz, he was forced by infinite repetition into mastering it. Oh, the misery of the hour-long
