Page:Dorothy Canfield - Rough-hewn.djvu/158

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
150
ROUGH HEWN

had learned commercially was enormous! He faced his future here in France, sure of success.

But he had taken in other things too—he was thankful that he had been to Marise's native country and had learned something about the attitude towards women there—not that he would ever, ever treat Marise as American wives were treated, with that rough-and-ready, cowboy lack of ceremony, nor would he ever neglect her, leave her out of his life, as American husbands did. He would know how to combine the American honesty and sincerity with what no American ever felt or showed, with what no American woman ever experienced—tenderness, cherishing tenderness. He would be tender for Marise as no other human being could be; he would find the roost exquisite ways to surround her with tenderness, to protect that sweet mouth of hers from bitterness or sorrow, or knowledge of the world's evil.

He looked down steadily at the floor, a knot in his throat, his heart aching, and swallowed hard.


Three wooden thumps sounded from the platform, and the curtain drew itself aside, showing the stage decorated with a stand, two potted palms, an armchair, and a sprawling black grand piano with two cane-bottomed chairs before it.

From the wings trudged in a red-cheeked young girl, with a large bust, and brawny rough arms, hanging down over her starched white dress. Behind her trotted a short withered elderly woman, a black silk waist crossed over her flat chest, her scanty gray hair smoothed down in thin bandeaux over her ears. They sat down before the piano, opened the music, carried by the older woman, waited till she had adjusted drooping eye-glasses on her high thin nose, and had peeringly found her place. Then the young girl began to pound out the Raindrop Prelude while the other turned over the pages.

The audience preserved a respectful silence, bestowing a minute attention on the hang of the player's skirt, the fit of her bodice, the crimped waves of her light brown hair, her over-plump hands, and the bulging patent-leather shoes, which she pressed nervously up and down on the pedals.