girl did not recognize what the building was. The turn of her phrase suggested an inquiry about the architecture, and though she had never thought about Cluny before, the look of it stirred recollections of a certain fierce history teacher, whose specialty had been the transitions of the reign of Louis XII. She looked down on the stone lacework opposite, and said doubtfully, "What is it? Domestic Gothic, shouldn't you think? But some of it pretty late. Those square dormer-windows are Louis Douze, aren't they?"
She looked away from the Cluny and down at Eugenia as she finished, and had once more a shock of astonishment. The other's eyes were flaming. "Theah, that's it," she said fiercely, showing her white teeth as she spoke, but not in a smile. "That's it. That's just it! Wheah did you learn that?"
She dashed the question in Marise's face as though it had been her fist.
Marise positively drew back from her. Too startled to be anything but literal, she answered, "Why, why, I don't know where I did. Oh, yes, in my French history class, I suppose. They make you learn everything so hard, you know. You yourself were saying what a grind it is."
Eugenia breathed hard and said, "History again, darn it! But I didn't dream you'd learn that sort of thing in it." She added defiantly, and for Marise quite cryptically, "Well, I'm going to learn it without! "
Mme. de la Cueva came back with the music in her hand. "Voilà, mon enfant," she said, shaking Marise's hand heartily. She reached for Eugenia's hand too, which was hanging at her side, till Eugenia, seeing the meaning of the other's gesture, brought it up with an awkward haste, a painful red burning in her cheeks.
Some one came in as they went out, another student evidently, for he had a roll of music in his hand. He stopped and stood aside with a deep bow to let the two girls pass.
"Good-day, Mlle. Allen," he said, looking at her intently.
"Good-day, M. Boudoin," she answered. Neither girl spoke as they went down the endless, winding stairs and passed out to the street.
