his clothes, which showed signs of contact with dusty Roman walls and roofs. When, ten minutes later, he went into the dining-room, five or six people were already at table, Livingstone among them. Miss Oldham, the head of the pension, introduced the newcomer to the others, mentioning names on both sides. To Neale's surprise, Miss Allen did not explain (as he had opened his mouth to do) that she had already seen and talked to Mr. Crittenden that morning. Instead, she now gave him the conventional smile he had expected ten minutes before, accepted the introduction as though she had never seen his face and went on drinking her café-au-lait.
More Arabian Nights. What did this mean? Neale swallowed the reference he had begun to their earlier meeting. Miss Oldham said to him with the wearily playful accent of the conscientious pension-keeper, fostering cheerful talk around her table, "I understand, Mr. Crittenden, that you and Miss Allen are in a way related, as I might say."
Livingstone joined in with his usual sprightliness: "Yes, Crittenden, why didn't you tell me you had a fellow-townswoman in Rome? Last evening when I went back into the salon and told the assembled company about you and your inheritance there was Mademoiselle Allaine, who had often, in her remote childhood, climbed on the respected knees of Monsieur your Great-uncle."
Miss Allen smiled quietly over her cup, remarked that it would have taken a bolder child than she had ever been to climb on the knees of old Mr. Crittenden, and, looking at her watch, rose to go. "Music, divine music?" inquired Livingstone.
"Yes, divine music," she answered lightly. "We are getting ready to play at a soirée at Donna Antonia Pierleoni's. I'm due there at half past nine to try out the piano in a new position in the room."
"Clear out there by half-past nine!" cried Livingstone, as if exhausted by the idea.
She did not seem to consider that this required any answer, made a graceful inclination of the head to the company at table and went off.
