half apologizing for his unusual loquacity, "because to-day, walking on the Due Macelli, I happened to see a case of his tools, and outside, just glued to the window, a young Italian mechanic, gazing in at them, his face on fire with his admiration and appreciation. Quite a long way, isn't it, for a Yankee creator to reach out a helpful and stimulating hand? But he's a first-rater, of course, a genius. The rest of us can't hope to do that."
Later, as they all went down the stairs together, Marise asked him, "But there isn't anything … is there? … that the rest of us, not creative geniuses, can hope to do that's creative?"
She had not the faintest idea what he could find to answer. She herself could conceive of no answer possible. With all the intelligent people she had ever known, it had been axiomatic that there was no answer.
He did not speak at once. She had noticed that he often took time to reflect seriously on what you had said before he replied. Marise had never seen any one before who seemed to give so much more care to understanding what you said than to concocting something that would sound well to say in answer. There were times when, incredible as it seemed, Mr. Crittenden seemed really to use language to express what he meant rather than to attain his ends. She waited now, and as she waited she was aware of the erectness and vigor of the tall body stepping beside her. In the corridor he halted for a moment, facing her, his head bent thoughtfully, his eyes shadowed by his broad brow, his hand, that powerful athlete's hand of his, meditatively over his mouth as he considered.
He had given her question a good deal of thought, and yet when he took his hand down to speak he said abruptly, impulsively, as though the words had broken up through what he had been meaning to say, "Couldn't we … any of us … couldn't we hope to create a beautiful human relationship? Beautiful and enduring?"
