Page:Dostoyevsky - The House of the Dead, Collected Edition, 1915.djvu/156

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THE HOUSE OF THE DEAD

crowded the theatre might be, on the ground that being richer than most of them I should probably subscribe more liberally and also that I knew more about acting. And so it was. But I will first describe the room and the arrangement of the theatre.

The military ward in which our stage was arranged was fifteen paces long. From the yard one mounted some steps into the passage leading to the ward. This long ward as I have mentioned already was different from the others: the bed platform ran round the walls so that the middle of the room was free. The half of the room nearest to the steps was given up to the spectators and the other half which communicated with another ward was marked off for the stage. What struck me first of all was the curtain. It stretched for ten feet across the room. To have a curtain was such a luxury that it was certainly something to marvel at. What is more, it was painted in oil colours with a design of trees, arbours, lakes and stars. It was made of pieces of linen, old and new, such as they were able to collect among the convicts, old leg wrappers and shirts sewn together after a fashion into one large strip, and where the linen fell short the gap was filled simply with paper which had been begged, sheet by sheet, from various offices and departments. Our painters, amongst whom the “Brullov” of the prison, A., was conspicuous, had made it their work to decorate and paint it. The effect was surprising. Such a refinement delighted even the most morose and fastidious of the convicts, who, when it came to the performance, were without exception as childish in their admiration as the most enthusiastic and impatient. All were very much pleased and even boastful in their pleasure.

The stage was lighted by means of a few tallow candles which were cut into pieces. In front of the curtain stood two benches brought from the kitchen, and in front of the benches were three or four chairs from the sergeant’s room. The chairs were intended for any officers that might come in, the benches for the sergeants and the engineering clerks, foremen and other persons in official positions, though not officers, in case any such looked in on the performance. And as a fact, spectators from outside were present at every performance; there were more on some evenings than on others, but at the last performance there was not a vacant seat on the benches. In the back of the room were the convicts themselves, standing, and in spite of the suffocating, steamy heat of the room wearing their coats or