confessed, and that the luckless fellow had been already released from prison. The editor can feel no doubt of the truth of this news. There is nothing more to add. There is no need to enlarge on all the tragic significance of this fact, and to speak of the young life crushed under this terrible charge. The fact is too impressive, it speaks for itself.
We believe, too, that if such a fact can be possible, this possibility adds a fresh and striking feature to the description of “The House of the Dead,” and puts a finishing touch to the picture. Now we will continue.
I have already said that I did at last become accustomed to my position in prison. But this came to pass painfully and with difficulty and far too gradually. It took me almost a year, in fact, to reach this stage, and that was the hardest year of my life. And that is why the whole of it is imprinted on my memory for ever. I believe I remember every successive hour of that year. I said, also, that other convicts too could not get used to that life. I remember how in that first year I often wondered to myself what they were feeling, could they be contented? And I was much occupied with these questions. I have mentioned already that all the convicts lived in prison not as though they were at home there, but as though they were at a hotel, on a journey, at some temporary halt. Even men sentenced for their whole life were restless or miserable and no doubt every one of them was dreaming of something almost impossible. This everlasting uneasiness, which showed itself unmistakably, though not in words, this strange impatient and intense hope, which sometimes found involuntary utterance, at times so wild as to be almost like delirium, and what was most striking of all, often persisted in men of apparently the greatest common sense—gave a special aspect and character to the place, so much so that it constituted perhaps its most typical characteristic. It made one feel, almost from the first moment, that there was nothing like this outside the prison walls. Here all were dreamers, and this was apparent at once. What gave poignancy to this feeling was the fact that this dreaminess gave the greater number of the prisoners a gloomy and sullen, almost abnormal expression. The vast majority were taciturn and morose to the point of vindictiveness, they did not like displaying their hopes. Candour, simplicity were looked on with contempt. The more fantastical his
