which so pre-eminently distinguishes his pictured visions of the divine persons, the hierarchy of heaven and the glory of the redeemed.
Books regarding Fra Angelico are numerous. We may mention those by S. Beissel, 1895; V. M. Crawford, 1900; R. L. Douglas, 1900; I. B. Supino, 1901; D. Tumiati, 1897; G. Williamson, 1901. (W. M. R.)
ANGELL, GEORGE THORNDIKE (1823–1909), American philanthropist, was born at Southbridge, Massachusetts, on the 5th of June 1823. He graduated at Dartmouth in 1846, studied law at the Harvard Law School, and in 1851 was admitted to the bar in Boston, where he practised for many years. In 1868 he founded and became president of the Massachusetts Society for the Prevention of Cruelty to Animals, in the same year establishing and becoming editor of Our Dumb Animals, a journal for the promotion of organized effort in securing the humane treatment of animals. For many years he was active in the organization of humane societies in England and America. In 1882 he initiated the movement for the establishment of Bands of Mercy (for the promotion of humane treatment of animals), of which in 1908 there were more than 72,000 in active existence. In 1889 he founded and became president of the American Humane Education Society. He became well known as a criminologist and also as an advocate of laws for the safeguarding of the public health and against adulteration of food. He died at Boston on the 16th of March 1909.
ANGEL-LIGHTS, in architecture, the outer upper lights in a perpendicular window, next to the springing; probably a corruption of the word angle-lights, as they are nearly triangular.
ANGELUS, a Roman Catholic devotion in memory of the Annunciation. It has its name from the opening words, Angelus Domini nuntiavit Mariae. It consists of three texts describing the mystery, recited as versicle and response alternately with the salutation “Hail, Mary!” This devotion is recited in the Catholic Church three times daily, about 6 a.m., noon and 6 p.m. At these hours a bell known as the Angelus bell is rung. This is still rung in some English country churches, and has often been mistaken for and alleged to be a survival of the curfew bell. The institution of the Angelus is by some ascribed to Pope Urban II., by some to John XXII. The triple recitation is ascribed to Louis XI. of France, who in 1472 ordered it to be thrice said daily.
ANGELUS SILESIUS (1624–1677), German religious poet, was born in 1624 at Breslau. His family name was Johann Scheffler, but he is generally known by the pseudonym Angelus Silesius, under which he published his poems and which marks the country of his birth. Brought up a Lutheran, and at first physician to the duke of Württemberg-Oels, he joined in 1652 the Roman Catholic Church, in 1661 took orders as a priest, and became coadjutor to the prince bishop of Breslau. He died at Breslau on the 9th of July 1677. In 1657 Silesius published under the title Heilige Seelenlust, oder geistliche Hirtenlieder der in ihren Jesum verliebten Psyche (1657), a collection of 205 hymns, the most beautiful of which, such as, Liebe, die du mich zum Bilde deiner Gottheit hast gemacht and Mir nach, spricht Christus, unser Held, have been adopted in the German Protestant hymnal. More remarkable, however, is his Geistreiche Sinn- und Schluss-reime (1657), afterwards called Cherubinischer Wandersmann (1674). This is a collection of “Reimsprüche” or rhymed distichs embodying a strange mystical pantheism drawn mainly from the writings of Jakob Böhme and his followers. Silesius delighted specially in the subtle paradoxes of mysticism. The essence of God, for instance, he held to be love; God, he said, can love nothing inferior to himself; but he cannot be an object of love to himself without going out, so to speak, of himself, without manifesting his infinity in a finite form; in other words, by becoming man. God and man are therefore essentially one.
A complete edition of Scheffler’s works (Sämtliche poetische Werke) was published by D. A. Rosenthal, 2 vols. (Regensburg, 1862). Both the Cherubinischer Wandersmann and Heilige Seelenlust have been republished by G. Ellinger (1895 and 1901); a selection from the former work by O. E. Hartleben (1896). For further notices of Silesius’ life and work, see Hoffmann von Fallersleben in Weimarisches Jahrbuch I. (Hanover, 1854); A. Kahlert, Angelus Silesius (1853); C. Seltmann, Angelus Silesius und seine Mystik (1896), and a biog. by H. Mahn (Dresden, 1896).
ANGERMÜNDE, a town of Germany, in the Prussian province of Brandenburg, on Lake Münde, 43 m. from Berlin by the Berlin-Stettin railway, and at the junction of lines to Prenzlau, Freienwalde and Schwedt. Pop. (1900) 7465. It has three Protestant churches, a grammar school and court of law. Its industries embrace iron founding and enamel working. In 1420 the elector Frederick I. of Brandenburg gained here a signal victory over the Pomeranians.
ANGERONA, or Angeronia, an old Roman goddess, whose name and functions are variously explained. According to ancient authorities, she was a goddess who relieved men from pain and sorrow, or delivered the Romans and their flocks from angina (quinsy); or she was the protecting goddess of Rome and the keeper of the sacred name of the city, which might not be pronounced lest it should be revealed to her enemies; it was even thought that Angerona itself was this name. Modern scholars regard her as a goddess akin to Ops, Acca Larentia and Dea Dia; or as the goddess of the new year and the returning sun (according to Mommsen, ab angerendo = ἀπὸ τοῦ ἀναφέρεσθαι. τὸν ἥλιον). Her festival, called Divalia or Angeronalia, was celebrated on the 21st of December. The priests offered sacrifice in the temple of Volupia, the goddess of pleasure, in which stood a statue of Angerona, with a finger on her mouth, which was bound and closed (Macrobius i. 10; Pliny, Nat. Hist. iii. 9; Varro, L. L. vi. 23). She was worshipped as Ancharia at Faesulae, where an altar belonging to her has been recently discovered. (See Faesulae.)
ANGERS, a city of western France, capital of the department of Maine-et-Loire, 191 m. S.W. of Paris by the Western railway to Nantes. Pop. (1906) 73,585. It occupies rising ground on both banks of the Maine, which are united by three bridges. The surrounding district is famous for its flourishing nurseries and market gardens. Pierced with wide, straight streets, well provided with public gardens, and surrounded by ample, tree-lined boulevards, beyond which lie new suburbs, Angers is one of the pleasantest towns in France. Of its numerous medieval buildings the most important is the cathedral of St. Maurice, dating in the main from the 12th and 13th centuries. Between the two flanking towers of the west façade, the spires of which are of the 16th century, rises a central tower of the same period. The most prominent feature of the façade is the series of eight warriors carved on the base of this tower. The vaulting of the nave takes the form of a series of cupolas, and that of the choir and transept is similar. The chief treasures of the church are its rich stained glass (12th, 13th and 15th centuries) and valuable tapestry (14th to 18th centuries). The bishop’s palace which adjoins the cathedral contains a fine synodal hall of the 12th century. Of the other churches of Angers, the principal are St. Serge, an abbey-church of the 12th and 15th centuries, and La Trinité (12th century). The prefecture occupies the buildings of the famous abbey of St. Aubin; in its courtyard are elaborately sculptured arcades of the 11th and 12th centuries, from which period dates the tower, the only survival of the splendid abbey-church. Ruins of the old churches of Toussaint (13th century) and Notre-Dame du Ronceray (11th century) are also to be seen. The castle of Angers, an imposing building girt with towers and a moat, dates from the 13th century and is now used as an armoury. The ancient hospital of St. Jean (12th century) is occupied by an archaeological museum; and the Logis Barrault, a mansion built about 1500, contains the public library, the municipal museum, which has a large collection of pictures and sculptures, and the Musée David, containing works by the famous sculptor David d’Angers, who was a native of the town. One of his masterpieces, a bronze statue of René of Anjou, stands close by the castle. The Hôtel de Pincé or d’Anjou (1523–1530) is the finest of the stone mansions of Angers; there are also many curious wooden houses of the 15th and 16th centuries. The palais de justice, the Catholic institute, a fine theatre, and