lord-lieutenant, Lajos Tisza, and powerfully promoted the popular cause by his eloquence and agitation. After 1843 the conservatives succeeded in excluding him both from parliament and from his official position in the county; but during the famous “March Days” (1848) he regained all his authority, becoming at the same time a commander of militia, a deputy and lord-lieutenant. At the first session of the Upper House (5th of July 1848), he moved that it should be radically reformed, and during the war of Independence he energetically served the Hungarian government as a civil commissioner and lord justice. Towards the end of the war he reappeared as a deputy at the Szeged diet, and on the flight of the government took refuge first with Richard Cobden in London and subsequently in Jersey, where he made the acquaintance of Victor Hugo. Thence he went to Hamburg, to meet his wife, and died there on the 7th of December 1854. Beöthy was a man of extraordinary ability and character, and an excellent debater. He also exercised as much influence socially over his contemporaries as politically, owing to his unfailing tact and pleasant wit.
See Antal Csengery, Hungarian Orators and Statesmen (Hung., Budapest, 1851). (R. N. B.)
BEOWULF. The epic of Beowulf, the most precious relic of Old English, and, indeed, of all early Germanic literature, has come down to us in a single MS., written about A.D. 1000, which contains also the Old English poem of Judith, and is bound up with other MSS. in a volume in the Cottonian collection now at the British Museum. The subject of the poem is the exploits of Beowulf, son of Ecgtheow and nephew of Hygelac, king of the “Gēatas,” i.e. the people, called in Scandinavian records Gautar, from whom a part of southern Sweden has received its present name Götland.
The Story.—The following is a brief outline of the story, which naturally divides itself into five parts.
1. Beowulf, with fourteen companions, sails to Denmark, to offer his help to Hrothgar, king of the Danes, whose hall (called “Heorot”) has for twelve years been rendered uninhabitable by the ravages of a devouring monster (apparently in gigantic human shape) called Grendel, a dweller in the waste, who used nightly to force an entrance and slaughter some of the inmates. Beowulf and his friends are feasted in the long-deserted Heorot. At night the Danes withdraw, leaving the strangers alone. When all but Beowulf are asleep, Grendel enters, the iron-barred doors having yielded in a moment to his hand. One of Beowulf’s friends is killed; but Beowulf, unarmed, wrestles with the monster, and tears his arm from the shoulder. Grendel, though mortally wounded, breaks from the conqueror’s grasp, and escapes from the hall. On the morrow, his bloodstained track is followed until it ends in a distant mere.
2. All fear being now removed, the Danish king and his followers pass the night in Heorot, Beowulf and his comrades being lodged elsewhere. The hall is invaded by Grendel’s mother, who kills and carries off one of the Danish nobles. Beowulf proceeds to the mere, and, armed with sword and corslet, plunges into the water. In a vaulted chamber under the waves, he fights with Grendel’s mother, and kills her. In the vault he finds the corpse of Grendel; he cuts off the head, and brings it back in triumph.
3. Richly rewarded by Hrothgar, Beowulf returns to his native land. He is welcomed by Hygelac. and relates to him the story of his adventures, with some details not contained in the former narrative. The king bestows on him lands and honours, and during the reigns of Hygelac and his son Heardred he is the greatest man in the kingdom. When Heardred is killed in battle with the Swedes, Beowulf becomes king in his stead.
4. After Beowulf has reigned prosperously for fifty years, his country is ravaged by a fiery dragon, which inhabits an ancient burial-mound, full of costly treasure. The royal hall itself is burned to the ground. The aged king resolves to fight, unaided, with the dragon. Accompanied by eleven chosen warriors, he journeys to the barrow. Bidding his companions retire to a distance, he takes up his position near the entrance to the mound—an arched opening whence issues a boiling stream. I The dragon hears Beowulf’s shout of defiance, and rushes forth, breathing flames. The fight begins; Beowulf is all but overpowered, and the sight is so terrible that his men, all but one, seek safety in flight. The young Wiglaf, son of Weohstan, though yet untried in battle, cannot, even in obedience to his lord’s prohibition, refrain from going to his help. With Wiglaf’s aid, Beowulf slays the dragon, but not before he has received his own death-wound. Wiglaf enters the barrow, and returns to show the dying king the treasures that he has found there. With his last breath Beowulf names Wiglaf his successor, and ordains that his ashes shall be enshrined in a great mound, placed on a lofty cliff, so that it may be a mark for sailors far out at sea.
5. The news of Beowulf’s dear-bought victory is carried to the army. Amid great lamentation, the hero’s body is laid on the funeral pile and consumed. The treasures of the dragon’s hoard are buried with his ashes; and when the great mound is finished, twelve of Beowulf’s most famous warriors ride around it, celebrating the praises of the bravest, gentlest and most generous of kings.
The Hero.—Those portions of the poem that are summarized above—that is to say, those which relate the career of the hero in progressive order—contain a lucid and well-constructed story, told with a vividness of imagination and a degree of narrative skill that may with little exaggeration be called Homeric. And yet it is probable that there are few readers of Beowulf who have not felt—and there are many who after repeated perusal continue to feel—that the general impression produced by it is that of a bewildering chaos. This effect is due to the multitude and the character of the episodes. In the first place, a very great part of what the poem tells about Beowulf himself is not presented in regular sequence, but by way of retrospective mention or narration. The extent of the material thus introduced out of course may be seen from the following abstract.
When seven years old the orphaned Beowulf was adopted by his grandfather king Hrethel, the father of Hygelac, and was regarded by him with as much affection as any of his own sons. In youth, although famed for his wonderful strength of grip, he was generally despised as sluggish and unwarlike. Yet even before his encounter with Grendel, he had won renown by his swimming contest with another youth named Breca, when after battling for seven days and nights with the waves, and slaying many sea-monsters, he came to land in the country of the Finns. In the disastrous invasion of the land of the Hetware, in which Hygelac was killed, Beowulf killed many of the enemy, amongst them a chieftain of the Hugas, named Daeghrefn, apparently the slayer of Hygelac. In the retreat he once more displayed his powers as a swimmer, carrying to his ship the armour of thirty slain enemies. When he reached his native land, the widowed queen offered him the kingdom, her son Heardred being too young to rule. Beowulf, out of loyalty, refused to be made king, and acted as the guardian of Heardred during his minority, and as his counsellor after he came to man’s estate. By giving shelter to the fugitive Eadgils, a rebel against his uncle the king of the “Swēon” (the Swedes, dwelling to the north of the Gautar), Heardred brought on himself an invasion, in which he lost his life. When Beowulf became king, he supported the cause of Eadgils by force of arms; the king of the Swedes was killed, and his nephew placed on the throne.
Historical Value.—Now, with one brilliant exception—the story of the swimming-match, which is felicitously introduced and finely told—these retrospective passages are brought in more or less awkwardly, interrupt inconveniently the course of the narrative, and are too condensed and allusive in style to make any strong poetic impression. Still, they do serve to complete the portraiture of the hero’s character. There are, however, many other episodes that have nothing to do with Beowulf himself, but seem to have been inserted with a deliberate intention of making the poem into a sort of cyclopaedia of Germanic tradition. They include many particulars of what purports to be the history of the royal houses, not only of the Gautar and the Danes, but also of the Swedes, the continental
