Page:EB1911 - Volume 05.djvu/624

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
  
CELERY—CELESTINE
599

In 1683 the north-eastern part of the island was conquered by Robert Paddenburg and placed under the command of the governor of the Moluccas. In 1703 a fort was erected at Menado. The kingdom of Boni was successfully attacked in 1824, and in August of that year the Bonga treaty was renewed in a greatly modified form. Since then the principal military event is the Boni insurrection which was quelled in 1859, but this was far from pacifying the country permanently. A series of revolts of various chiefs in 1905–6 was not arrested without considerable fighting, but after this the whole island was brought under Dutch authority, even where native rule survived.

Bibliography.—In P. J. Veth’s Woordenboek van Nederlandsch Indie there will be found an extensive bibliography of Celebes drawn up by H. C. Millies. For additional bibliography and data for the island and its population, see C. M. Kan, “Celebes,” in the Encyclopaedie van Nederlandsch Indie, ed. by P. A. van der Lith and A. H. Spaan (The Hague, 1895), &c., vol. i. p. 314. See P. and F. Sarasin (who have carried out extensive explorations in the island), “Berichte aus Celebes,” Zeitschr. der Ges. f. Erdk. xxix. 351; Entwurf einer geographisch-geologischen Beschreibung der Insel Celebes (Wiesbaden, 1901); Reisen in Celebes, 1893–1896, 1902–1903 (Wiesbaden, 1905); Versuch einer Anthropologie der Insel Celebes (Wiesbaden, 1906); C. van der Hart, Reize rondon het Eiland Celebes (The Hague, 1853); Capt. R. Mundy, Narrative of Events in Borneo and Celebes (London, 1848); P. J. Veth, Een Nederlandsch reiziger op Zuid Celebes (Amsterdam, 1875); J. G. F. Riedel, Het landschap Boeool, Noord Selebes (1872); and “Die Landschaften Holontalo, Limoeto,” &c., in Zeitschr. fur Ethnologie (1871); H. Bücking, “Beiträge zur Geologie von Celebes,” Samml. geol. Reichsmus. Leiden, vol. vii. pp. 29-205 (1902), pp. 221-224 (1904); and various articles in Tijdschrift v. h. Aardrijkskundig Genootschap and Tijdsch. v. h. Batavian. Gen.


CELERY (Apium graveolens), a biennial plant belonging to the natural order Umbelliferae, which, in its wild state, occurs in England by the sides of ditches and in marshy places, especially near the sea, producing a furrowed stalk and compound leaves with wedge-shaped leaflets, the whole plant having a coarse, rank taste and a peculiar smell. It is also widely distributed in the north temperate region of the Old World. By cultivation and blanching the stalks lose their acrid qualities and assume the mild sweetish aromatic taste peculiar to celery as a salad plant. The plants are raised from seed, sown either in a hot bed or in the open garden, according to the season of the year, and after one or two thinnings out and transplantings, they are, on attaining a height of 6 or 8 in., planted out in deep trenches for convenience of blanching, which is effected by earthing up and so excluding the stems from the influence of light. A large number of varieties are cultivated by gardeners, which are ranged under two classes, white and red,—the white varieties being generally the best flavoured and most crisp and tender. As a salad plant, celery, especially if at all “stringy,” is difficult of digestion. Both blanched and green it is stewed and used in soups, the seeds also being used as a flavouring ingredient. In the south of Europe celery is seldom blanched, but is much used in its natural condition.

Celeriac, or turnip-rooted celery (Apium graveolens var. rapaceum), is a variety cultivated more on account of its roots than for the stalks, although both are edible and are used for salads and in soups. It is chiefly grown in the north of Europe. As the tops are not required, trenching is unnecessary, otherwise the cultivation is the same as for celery.


CÉLESTE, MADAME (1815–1882), French dancer and actress, was born in Paris on the 16th of August 1815. As a little girl she was a pupil in the ballet class at the Opéra. When fifteen, she had an offer from the United States, and made her début at the Bowery theatre, New York. Returning to England, she appeared at Liverpool as Fenella in Masaniello, and also in London (1831). In 1834 she aroused such enthusiasm in America that her admirers carried her on their shoulders and took the horses out of her carriage in order to pull it themselves. It is even said that President Jackson introduced her to his cabinet as an adopted citizen of the Union. Having made a large fortune, she returned to England in 1837. She now gave up dancing, and appeared as an actress, first at Drury Lane and then at the Haymarket. In 1844 she joined Benjamin Webster in the management of the Adelphi, and afterwards took the sole management of the Lyceum till 1861. She made a third visit to the United States from 1865 to 1868, and retired in 1870. Her favourite part was Miami in Buckstone’s Green Bushes. She died in Paris on the 12th of February 1882.


CELESTINA, LA, the popular alternative title attached from 1519 (or earlier) to the anonymous Comedia de Caliste y Melibea, a Spanish novel in dialogue which was celebrated throughout Europe during the 16th century. In the two earliest known editions (Burgos, 1499, and Seville, 1501) the Comedia consists of sixteen acts; the reprints issued after 1501 are entitled Tragicomedia de Calisto y Melibea, and contain twenty-one acts. Three of these reprints include a twenty-second act which is admittedly spurious, and the authenticity of Acts xvii.-xxi. is disputed. The authorship of the Celestina and the date of its composition are doubtful. An anonymous prefatory letter in the editions subsequent to 1501 attributes the book to Juan de Mena or Rodrigo Cota, but this ascription is universally rejected. The prevailing opinion is that the author of the twenty-one acts was Fernando de Rojas, apparently a Spanish Jew resident at the Puebla de Montalban in the province of Toledo; R. Foulché-Delbose, however, maintains that the original sixteen acts are by an unknown writer who had no part in the five supplementary acts. Some scholars give 1483 as the date of composition; others hold that the book was written in 1497. These questions are still unsettled. Though profoundly original in treatment, the Celestina has points of analogy with the work of earlier writers, such as Juan Ruiz (q.v.), the archpriest of Hita; his rapid sketches of Trota-conventas, Melón and Endrina no doubt suggested the finished portraits of Celestina, Calisto and Melibea, and the closing scene in the Celestina recalls the suicide in Diego Fernandez de San Pedro’s Cárcel de Amor. Allowing for these and other debts of the same kind, it cannot be denied that the Celestina excels all earlier Spanish works in tragic force, in impressive conception, and in the realistic rendering of characters drawn from all classes of society. It passed through innumerable editions in Spain, and was the first Spanish book to find acceptance throughout western Europe. At least twenty works by well-known Spanish authors are derived from it; it was adapted for the English stage as early as 1525–1530, and was translated into Italian (1505), French (1527) and other European languages. A Latin version by Caspar Barth was issued under the title of Pornoboscodidascalus latinus (1624) with all the critical apparatus of a recognized classic. James Mabbe’s English rendering (1631) is one of the best translations ever published. The original edition of 1499 has been reprinted by R. Foulché-Delbose in the Bibliotheca Hispanica (1902), vol. xii.

Bibliography.—R. Foulché-Delbose, “Observations sur la Célestine” in the Revue hispanique (Paris, 1900), vol. vii. pp. 28-80 and (Paris. 1902) vol. ix. pp. 171-199; K. Haebler, “Bemerkungen zur Celestina” in the Revue hispanique (Paris, 1902), vol. ix. pp. 139-170; and M. Menéndez y Pelayo’s introduction to the Celestina (Vigo, 1899–1900).  (J. F.-K.) 


CELESTINE (Caelestinus), the name of five popes.

Celestine I., pope from 422 to 432. At his accession the dissensions caused by the faction of Eulalius (see Boniface I.) had not yet abated. He, however, triumphed over them, and his episcopate was peaceful. When the doctrines of Nestorius were denounced to him, he instructed Cyril, bishop of Alexandria, to follow up the matter. The emperor Theodosius II. convoked an ecumenical council at Ephesus, to which Celestine sent his legates. He had some difficulties with the bishops in Africa on the question of appeals to Rome, and with the bishops of Provence with regard to the doctrines of St Augustine. To expedite the extirpation of Pelagianism, he sent to Britain a deacon called Palladius, at whose instigation St Germanus of Auxerre crossed the English Channel, as delegate of the pope and bishops of Gaul, to inculcate orthodox principles upon the clergy of Britain. He also commissioned Palladius to preach the gospel in Ireland which was beginning to rally to Christianity. Celestine was the first pope who is known to have taken a direct interest in the churches of Britain and Ireland.  (L. D.*) 

Celestine II., pope in 1143–1144. Guido of Città di Castello (Tiferno), born of noble Tuscan family, able and learned, studied