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JASHAR, BOOK OF—JASMINE
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serious attention to the study of anatomy. He lived at first in Philadelphia, afterwards establishing himself in New York, where he enjoyed great popularity, though his conviviality and eccentric mode of life affected his work. He visited Baltimore, Charleston and New Orleans, entertaining much and painting portraits of prominent people, particularly in New Orleans, where General Andrew Jackson was one of his sitters. He had for assistants at different times both Sully and Inman. He affected singularity in dress and manners, and his mots were the talk of the day. But his work deteriorated, and he died in great poverty in New York City. Examples of his painting are in the collection of the New York Historical Society.


JASHAR, BOOK OF, in Hebrew Sepher ha-yashar, a Hebrew composition mentioned as though well-known in Josh. x. 13 and 2 Sam. i. 18. From these two passages it seems to have been a book of songs relating to important events, but no early collection of the kind is now extant, nor is anything known of it. Various speculations have been put forward as to the name: (1) that it means the book of the upright, i.e. Israel or distinguished Israelites, the root being the same as in Jeshurun; (2) that Jashar (ישר) is a transposition of shîr (שיר, song); (3) that it should be pointed Yashir (ישר, sing; cf. Exod. xv. 1) and was so called after its first word. None of these is very convincing, though support may be found for them all in the versions. The Septuagint favours (1) by its rendering ἐπὶ βιβλίου τοῦ εὐθοῦς in Samuel (it omits the words in Joshua); the Vulgate has in libro justorum in both places; the Syriac in Samuel has Ashīr, which suggests a Hebrew reading ha-shīr (the song), and in Joshua it translates “book of praises.” The Targum on both passages has “book of the law,” an explanation which is followed by the chief Jewish commentators, making the incidents the fulfilment of passages in the Pentateuch. Since it contained the lament of David (2 Sam. i. 18) it cannot have been completed till after his time. If Wellhausen’s restoration of 1 Kings viii. 12 be accepted (from Septuagint 1 Kings viii. 53, ἐν βιβλίῳ τῆς ᾠδῆς) where the reference is to the building of the Temple, the book must have been growing in the time of Solomon. The attempt of Donaldson[1] to reconstruct it is largely subjective and uncritical.

In later times when it became customary to compose midrashic works under well-known names, a book of Jashar naturally made its appearance. It need hardly be remarked that this has nothing whatever to do with the older book. It is an anonymous elaboration in Hebrew of the early part of the biblical narrative, probably composed in the 12th century. The fact that its legendary material is drawn from Arabic sources, as well as from Talmud, Midrash and later Jewish works, would seem to show that the writer lived in Spain, or, according to others, in south Italy. The first edition appeared at Venice in 1625, and it has been frequently printed since. It was translated into English by (or for) M. M. Noah (New York, 1840). A work called The Book of ... Jasher, translated ... by Alcuin (1751; 2nd ed., Bristol, 1829), has nothing to do with this or with any Hebrew original, but is a mere fabrication by the printer, Jacob Hive, who put it forward as the book “mentioned in Holy Scripture.”

Bibliography.—M. Heilprin, Historical Poetry of the Ancient Hebrews (New York, 1879), i. 128–131; Mercati, “Una congettura sopra il libro del Giusto,” in Studi e Testi (5, Roma, 1901). On the medieval work see Zunz, Gottesdienstliche Vorträge der Juden (Frankfurt a. M., 1892), 2nd ed., p. 162.


JASHPUR, a tributary state of India, in the Central Provinces, having been transferred from Bengal in 1905. The country is divided almost equally into high and low lands. The Uparghat plateau on the east rises 2200 ft. above sea-level, and the hills above it reach their highest point in Ranijula (3527 ft.). The only river of importance is the Ib, in the bed of which diamonds are found, while from time immemorial its sands have been washed for gold. Jashpur iron, smelted by the Kols, is highly prized. Jungles of sál forests abound, harbouring elephant, bison and other wild beasts. Jungle products include lac, silk cocoons and beeswax, which are exported. Area 1948 sq. m.; pop. (1901), 132,114; estimated revenue £8000.


JASMIN, JACQUES (1798–1864), Provençal poet, was born at Agen on the 6th of March 1798, his family name being Boé. His father, who was a tailor, had a certain facility for making doggerel verses, which he sang or recited at fairs and such-like popular gatherings; and Jacques, who used generally to accompany him, was thus early familiarized with the part which he afterwards so successfully filled himself. When sixteen years of age he found employment at a hairdresser’s shop, and subsequently started a similar business of his own on the Gravier at Agen. In 1825 he published his first volume of Papillotos (“Curl Papers”), containing poems in French (a language he used with a certain sense of restraint), and in the familiar Agen patois—the popular speech of the working classes—in which he was to achieve all his literary triumphs. Jasmin was the most famous forerunner in Provençal literature (q.v.) of Mistral and the Félibrige. His influence in rehabilitating, for literary purposes, his native dialect, was particularly exercised in the public recitals of his poems to which he devoted himself. His poetic gift, and his flexible voice and action, fitted him admirably for this double rôle of troubadour and jongleur. In 1835 he recited his “Blind Girl of Castel-Cuillé” at Bordeaux, in 1836 at Toulouse; and he met with an enthusiastic reception in both those important cities. Most of his public recitations were given for benevolent purposes, the proceeds being contributed by him to the restoration of the church of Vergt and other good works. Four successive volumes of Papillotos were published during his lifetime, and contained amongst others the following remarkable poems, quoted in order: “The Charivari,” “My Recollections” (supplemented after an interval of many years), “The Blind Girl,” “Françounetto,” “Martha the Simple,” and “The Twin Brothers.” With the exception of “The Charivari,” these are all touching pictures of humble life—in most cases real episodes—carefully elaborated by the poet till the graphic descriptions, full of light and colour, and the admirably varied and melodious verse, seem too spontaneous and easy to have cost an effort. Jasmin was not a prolific writer, and, in spite of his impetuous nature, would work a long time at one poem, striving to realize every feeling he wished to describe, and give it its most lucid and natural expression. A verse from his spirited poem, “The Third of May,” written in honour of Henry IV., and published in the first volume of Papillotos, is engraved on the base of the statue erected to that king at Nérac. In 1852 Jasmin’s works were crowned by the Académie Française, and a pension was awarded him. The medal struck on the occasion bore the inscription: Au poëte moral et populaire. His title of “Maistre ès Jeux” is a distinction only conferred by the academy of Toulouse on illustrious writers. Pius IX. sent him the insignia of a knight of St Gregory the Great, and he was made chevalier of the Legion of Honour. He spent the latter years of his life on a small estate which he had bought near Agen and named “Papillotos,” and which he describes in Ma Bigno (“My Vine”). Though invited to represent his native city, he refused to do so, preferring the pleasures and leisure of a country life, and wisely judging that he was no really eligible candidate for electoral honours. He died on the 4th of October 1864. His last poem, an answer to Renan, was placed between his folded hands in his coffin.

JASMINE, or Jessamine, botanically Jasminum, a genus of shrubs or climbers constituting the principal part of the tribe Jasminoideae of the natural order Oleaceae, and comprising about 150 species, of which 40 or more occur in the gardens of Britain. The plants of the genus are mostly natives of the warmer regions of the Old World; there is one South American species. The leaves are pinnate or ternate, or sometimes apparently simple, consisting of one leaflet, articulated to the petiole. The flowers, usually white or yellow, are arranged in terminal or axillary panicles, and have a tubular 5- or 8-cleft calyx, a cylindrical corolla-tube, with a spreading limb, two included stamens and a two-celled ovary.

The name is derived from the Persian yásmín. Linnaeus obtained a fancied etymology from ἴα, violets, and ὀσμή, smell, but the odour of its flowers bears no resemblance to that of the violet. The common white jasmine, Jasminum officinale, one

  1. Jashar: fragmenta archetypa carminum Hebraicorum (Berlin, 1854). Cf. Perowne’s Remarks on it (Lond. 1855).