However, one day when he again raised his hand to her, Gina had armed herself with a knife and threatened to plunge it into his breast. As cowardly as he was vicious, he took her at her word. But, in order to break down his wife's resistance, he took other abominable means. He tried to throw her into the arms of the Chilian. She avoided these pitfalls, and the charlatan was out of pocket for his gallantry. Finally, in despair of getting a case, not having succeeded in inducing his wife to adultery, Béjard had resolved upon having her condemned and stigmatized as though she had been guilty. With the connivance of Vera-Pinto he had not hesitated, in order to attack her, to ruin the two little Saint-Fardiers.
And thus, mused Gina, she was the warp and woof of the plot:
"After having warned Béjard of the party arranged for the evening, the Chilian went to it with one or the other of his conquests.
"They are not lacking, I give you my word," she continued, "even in what is called good society, for my equals do not all share my aversion for that suspicious half-breed. It makes no difference who they are. Luckier than Angéle and Cora, the third lady mixed up in the escapade found a way, at least, of fleeing in time. She does not suspect that she owes her good fortune to the hatred which Béjard, in his damned soul, bears me. It was necessary for them to have her out of the way before the arrival of the police in order to implicate me in the affair. Was I not seen, this very afternoon, with my unfortunate friends? And were not von Frans, Ditmayr and Vera-Pinto planted beneath our balcony the whole time? The scene at Casti's represents the epilogue of an intrigue
