consistent modification of tone. For example, in the red scale the standard or normal red is vermilion, i. e., an orange red; shade No. 1 is simply a red less orange in hue than the standard, and shade No. 2 a shade of the standard red advocated in this system; while tint No. 1 is a broken yellow orange and tint No. 2 is much more yellow and more broken than No. 1.
Similar inconsistencies occur in all the other scales, showing that the author had no correct knowledge of the analysis of colors, and yet this was the best and practically the only aid offered for instruction in color at that time.
Neither were there any true standards for neutral grays and the term "neutral" was used in such an indefinite way as to rob it of all actual value, until by the- aid of disk combinations it came to be confined to white in shadow as closely imitated by the combinations of white and black disks.
With colored papers made in imitation of the six standards and two tints and two shades of each, six scales of colors may be produced by arranging the five different tones of each color in a row, as in Fig. 9, which represents the orange scale with tints at the left and shades at the right. If, in addition to these six scales, we have two scales between each two of the standards, we may have between the orange scale and the yellow scale a yellow orange scale and an orange yellow scale, and if we thus introduce the intermediate scales between each of the other two standards, and include the red violet and violet red, we shall have eighteen scales of five tones each.
The eighteen scales as above named may be arranged as
