her; and if he left the revelation to be made by indifferent persons, she would feel that he had treated her with cruel inconsiderateness. He could not make the communication in writing: his tenderness could not bear to think of her reading his virtual farewell in solitude, and perhaps feeling his words full of a hard gladness for himself and indifference for her. He went down to Diplow again, feeling that every other peril was to be incurred rather than that of returning and leaving her still in ignorance.
On this third visit Deronda found Hans Meyrick installed with his easel at Diplow, beginning his picture of the three daughters sitting on a bank "in the Gainsborough style," and varying his work by rambling to Pennicote to sketch the village children and improve his acquaintance with the Gascoignes. Hans appeared to have recovered his vivacity, but Deronda detected some feigning in it, as we detect the artificiality of a lady's bloom from its being a little too high-toned and steadily persistent (a "Fluctuating Rouge" not having yet appeared among the advertisements). Also, with all his grateful friendship and admiration for Deronda, Hans could not help a certain irritation against him such as extremely incautious, open natures are apt to feel when the
