Jinrikisha Days in Japan
His grandson, Iyemitsu, was the next and only other Shogun interred at Nikko, and his temple fairly rivals that of his ancestor.
At each shrine rise broad stone steps leading to the first and outer court-yards, where stand the magnificent gates, exquisitely carved, set with superb metal plates, and all ablaze with color and gilding. The eye is confused in the infinite detail of structure and ornament, and the intricacy of beams and brackets upholding the heavy roofs of these gate- ways. Walls of red lacquer and gold, with carved and colored panels topped with black tiles, surround each enclosure, and through inner and outer courts and gate-ways, growing ever more and more splendid, the visitor approaches the temples proper, their soaring roofs, curved gables, and ridge-poles set with the Tokugawa crest in gold, sharp cut against the forest background. At the lowest step his shoes are taken off, and he is permitted to wander slowly through the magnificent buildings on the soft, silk-bordered mats. Richly panelled ceilings, lacquered pillars, carved walls, and curtains of the finest split bamboo belong to both alike, and in the gloom of inner rooms are marvels of carving and decoration, only half visible.
Both temples were once splendid with all the emblems and trappings of Buddhism, redolent with incense, musical with bells and gongs, and resounding all day with chanted services. But after the Restoration, when the Shinto became the state religion and the Emperor made a pilgrimage to Nikko, Iyeyasu’s temple was stripped of its splendid altar ornaments, banners, and symbols, and the simple mirror and bits of paper of the empty Shinto creed were substituted. In the dark chapel behind the first room there remains a large gong, whose dark bowl rests on a silken pad, and when softly struck fills the place with rising and falling, recurring and wavering, tones of sweetness for five whole minutes, while
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