Kioto Silk Industry
be made into undergarments for the Emperor, who, never wearing such articles twice, obliges his tailor to keep a large supply ready; and these garments that have once touched the sacred person are highly treasured by loyal subjects.
The weaver exhibited flaming silks covered with huge peonies, or fine maple-leaves, or circles of writhing dragons, which the outside million may buy if they choose, but not a sixteen-petalled chrysanthemum are they privileged to obtain from him in any way. In discussing the changeableness of the American taste, Kobayashi and his staff wondered that the mass of our people did not care for silks that would wear forever, rather than for the cheap fancies of the moment. The Japanese cling to the really good things that have stood the test of a century’s taste, and Japanese ladies had a pride in wearing the brocade that had been theirs for a lifetime and their mothers’ before them. In noble families inherited ceremonial dresses are as highly treasured as the plate and jewels of European families, though they are now seldom worn. Rolls of such silks and brocades were often presented by Emperor and Shogun to their courtiers, and the common saying, “He wears rags, but his heart is brocade,” attests the esteem in which these nishikis (brocades) were held in olden times, and those yesso nishikis, with their reverse a loose rainbow of woof threads, are far removed from the thin, flat, papery, characterless stuffs known as Japanese brocades in the cheap foreign trade.
A heavy silk tapestry, peculiar to Japan, although suggested by Chinese models, is best woven now at the Dotemachi Gakko, an industrial school for girls, maintained by the Government. The art had nearly died out when the aged tapestry-weaver was brought to the school and given a class of the most promising pupils. The fabric is woven on hand-frames, the design being
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