which the rendering was lost in the subject, quite leaving out the element of art. He was like the innocent reader for whom the story is "really true" and the author a negligible quantity. He had come to me only because he wanted to purchase, and I remember being so amused at his attitude, which I had never seen equally marked in a person of education, that I asked him why, for the sort of enjoyment he desired, it wouldn't be more to the point to deal directly with the lady. He stared and blushed at this: it was plain the idea frightened him. He was an extraordinary case—personally so modest that I could see it had never occurred to him. He had fallen in love with a painted sign and seemed content just to dream of what it stood for. He was the young prince in the legend or the comedy who loses his heart to the miniature of the outland princess. Until I knew him better this puzzled me much—the link was so missing between his sensibility and his type. He was of course bewildered by my sketches, which implied in the beholder some sense of intention and quality; but for one of them, a comparative failure, he ended by conceiving a preference so arbitrary and so lively that, taking no second look at the others,
