wished for you isn’t learned in High Schools or measured by terminal exams. Whatever of worth you get at any school you'll dig out for yourself. Don’t let them make anything of you but yourself, that’s all. I don’t think they will.”
“No, they won't,” said Emily decidedly. “I’m like Kipling’s cat—I walk by my wild lone and wave my wild tail where so it pleases me. That’s why the Murrays look askance at me. They think I should only run with the pack. Oh, Dean, you'll write me often, won’t you? Nobody understands like you. And you've got to be such a habit with me I can’t do without you.”
Emily said—and meant—it lightly enough; but Dean’s thin face flushed darkly. They did not say good-bye—that was an old compact of theirs. Dean waved his hand at her.
“May every day be kind to you,” he said.
Emily gave him only her slow, mysterious smile—he was gone. The garden seemed very lonely in the faint blue twilight, with the ghostly blossoms of the white phlox here and there. She was glad when she heard Teddy’s whistle in Lofty John’s Bush.
On her last evening at home she went to see Mr. Carpenter and get his opinion regarding some manuscripts she had left with him for criticism the preceding week. Among them were her latest stories, written before Aunt Elizabeth’s ultimatum. Criticism was something Mr. Carpenter could give with a right good will and he never minced matters; but he was just, and Emily had confidence in his verdicts, even when he said things that raised temporary blisters on her soul.
“This love story is no good,” he said bluntly.
“I know that it isn’t what I wanted to make it,” sighed Emily.
“No story ever is,” said Mr. Carpenter. “You'll never write anything that really satisfies you though it may satisfy other people. As for love stories, you can’t write them because you can’t feel them. Don’t try to write
