society. But they, too, must learn that society is rotten to the core; that patching up or reforming one sore spot merely drives the social poison deeper into the system, and that all must go to the bottom unless the spirit of Truth and Freedom revolutionize the world.
A DOLL'S HOUSE
In "A Doll's House" Ibsen returns to the subject so vital to him,—the Social Lie and Duty,—this time as manifesting themselves in the sacred institution of the home and in the position of woman in her gilded cage.
Nora is the beloved, adored wife of Torvald Helmer. He is an admirable man, rigidly honest, of high moral ideals, and passionately devoted to his wife and children. In short, a good man and an enviable husband. Almost every mother would be proud of such a match for her daughter, and the latter would consider herself fortunate to become the wife of such a man.
Nora, too, considers herself fortunate. Indeed, she worships =her husband, believes in him implicitly, and is sure that if ever her safety should be menaced, Torvald, her idol, her god, would perform the miracle.
When a woman loves as Nora does, nothing
