Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/314

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They infected her. Therefore she proposes that the rich should be infected.

The underworld plans and plots, and the grue. some meeting is closed with a frenzied dance between King-Hunger and Death, to the music of the dance above.

King-Hunger is at the trial of the Starving. He is the most powerful king on earth: he is at home everywhere, but nowhere more so than at the trial of the Starving. On high chairs sit the judges, in all their bloated importance. The courtroom is filled with curiosity seekers, idle ladies dressed as if for a ball; college professors and students looking for object lessons in criminal depravity; rich young girls are there, to satisfy a perverted craving for excitement.

The first starveling is brought in muzzled.

King-Hunger. What is your offense, starveling?

Old Man. I stole a five-pound loaf, but it was wrested from me. I had only time to bite a small piece of it. Forgive me, I will never again—

He is condemned in the name of the Law and King-Hunger, the most powerful king on earth.

Another starveling is brought before the bar of justice. It is a woman, young and beautiful, but pale and sad. She is charged with killing her child.