Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/95

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

shades between strong and weak, how could they grasp the endless variations between the good and the bad? To them life is a daily routine of work and prayer. God has arranged everything, and God manages everything. Why bother your head? Why spend sleepless nights? " Leave it all to God." What pathos in this childish simplicity!

They love their son John, they worship him, and they consecrate their lives to their only boy and because of their love for him, also to his wife and the newly born baby. They have but one sorrow: their son has turned away from religion. Still greater their grief that John is an admirer of Darwin, Spencer and Haeckel and other such men,-sinners, heathens all, who will burn in purgatory and hell. To protect their beloved son from the punishment of God, the old folks continuously pray and give still more devotion and love to their erring child.

Kitty, Dr. Vockerat's wife, is a beautiful type of the Gretchen, reared without any ideas about life, without any consciousness of her position in the world, a tender, helpless flower. She loves John; he is her ideal; he is her all. But she cannot understand him. She does not live in his sphere, nor speak his language. She has never dreamed his thoughts, - not because she is not willing or not eager to give the man all that he