IRVING 373 were unproductive. Upon the death of his father, Irving had become a sleeping partner in his brother s commercial house, a branch of which was established at Liverpool. This, combined with the restoration of peace, induced him to visit England in 1815, when he found the stability of the firm seriously compromised. After some years of ineffect ual struggle it became bankrupt. This misfortune com pelled Irving to resume his pen as a means of subsistence. His reputation had preceded him to England, and the curiosity naturally excited by the then unwonted apparition of a successful American author procured him admission into the highest literary circles, where his popularity was insured by his amiable temper and polished manners. As an American, moreover, he aroused no jealousy and no competition, and stood aloof from the political and literary disputes which then divided England. Campbell, Jeffrey, Moore, Scott, were counted among his friends, and the last- named zealously recommended him to the publisher Murray, who, after at first refusing, consented (1820) to bring out Geoffrey Crayons Sketch Bool-, which was already appearing in America in a periodical form. The most interesting ! part of this work is the description of an English Christ* ! mas, which displays a delicate humour not unworthy of the writer s evident model Addison. Some stories and sketches on American themes contribute to give it variety; of these Hip van Winkle is the most remarkable. It speedily obtained the greatest success on both sides of the Atlantic. Bracebridge Hall, a work purely English in subject, followed in 1822, and showed to what account the American observer had turned his experience of English country life. The humour is, nevertheless, much more English than American. Tales of a Traveller appeared in 1824, and Irving, now in comfortable circumstances, determined to enlarge his sphere of observation by a journey on the Continent. After a long course of travel, he settled down at Madrid in the house of the American consul Rich. His intention at the time was to translate Navarrete s recently published work on Columbus ; finding, however, that this was rather a collection of valuable materials than a systematic biography, he determined to compose a biography of his own by its assistance, supple mented by independent researches in the Spanish archives. His work appeared in 1828, and obtained a merited suc cess. It is a finished representation of Columbus from the point of view of the 19th century, affecting neither brilliancy nor originality, but a model of tasteful elegance, felicitous in every detail and adequate in every respect. The, Companions of Columbus followed ; and a prolonged residence in the south of Spain gave Irving materials for two highly picturesque books, The Conquest of Granada, professedly derived from the MSS. of an imaginary Fray Antonio Agapida, and The Alhambra. Previous to their appearance he had been appointed secretary to the embassy at London, an office as purely complimentary to his literary ability as the legal degree which lie about the same time received from the university of Oxford. Returning to the United States in 1832, after seventeen years absence, he found his name a household word, and himself universally honoured as the first American who had won for his country recognition on equal terms in the literary republic. After the rush of fetes and public compliments had sub sided, he undertook a tour in the western prairies, and returning to the neighbourhood of New York built for himself a delightful retreat on the Hudson, to which he gave the name of "Sunnyside." His acquaintance with the New York millionaire John Jacob Astor prompted his next important work Astoria, a history of the fur-trading settlement founded by Astor in Oregon, deduced with singular literary ability from dry commercial records, and, without laboured attempts at w;>rd-painting, evincing a remarkable faculty for bringing scenes and incidents vividly before the eye. Captain Bonneville, based upon the unpublished memoirs of a veteran hunter, was another work of the same class. In 1842 Irving was appointed ambassador to Spain. He spent four years in the country, without this time turning his residence to literary account ; and it was not until two years after his return that Forster s Life of Goldsmith, by reminding him of a slight essay of his own which he now thought too imperfect by comparison to be included among his collected writings, stimulated him to the production of his own biography of his favourite author. Without pretensions to original research, the book displays an admirable talent for employing existing material to the best effect. The same may be said of The Lives of Ufahomet and his Successors, published two years subse quently. Here as elsewhere Irving has correctly discri minated the biographer s province from the historian s, and, leaving the philosophical investigation of cause and effect to writers of Gibbon s calibre, has applied himself to represent the picturesque features of the age as embodied in the actions and utterances of its most characteristic representatives. His last days were devoted to a biography of Washington, undertaken in an enthusiastic spirit, but which the author found exhausting and his readers tame. His genius required a more poetical theme, and indeed the biographer of Washington must be at least a potential soldier and statesman. Irving just lived to complete this work, dying of heart disease at Sunnyside, on November 28, 1859. Although one of the chief ornaments of American litera ture, Irving is not characteristically an American author. Like most of the Transatlantic writers of his generation, he disappointed expectation by a scrupulous conformity to acknowledged European standards. The American vine had not then begun to produce the looked-for wild grapes. Irving, however, is one of the few authors of his period who really manifests traces of a vein of national peculiarity which might under other circumstances have been productive. Knickerbocker s History of New York, although the air of mock solemnity which constitutes the staple of its humour is peculiar to no literature, manifests nevertheless a power of reproducing a distinct national type. Had circum stances taken Irving to the West, and placed him amid a society teeming with quaint and genial eccentricity, he might possibly have been the first Western humorist, and his humour might have gained in depth and richness. In England, on the other hand, everything encouraged his natural fastidiousness ; he became a refined writer, but by no means a robust one. At the same time he is too essentially the man of his own age to pass for a paler Addison or a more decorous Sterne. He has far more of the poet than any of the writers of the 18th century, and his moralizing, unlike theirs, is unconscious and indirect. The same poetical feeling is shown in his biographies ; his subject is invariably chosen for its picturesqueness, and whatever is unessential to portraiture is thrown into the background. The result is that his biographies, however deficient in research, bear the stamp of genuine artistic intelligence, equally remote from compilation and disquisi tion. In execution they are almost faultless ; the narrative is easy, the style pellucid, and the writer s judgment nearly always in accordance with the general verdict of history. They will not, therefore, be easily superseded, and indeed Irving s productions are in general impressed with that signet of classical finish which guarantees the permanency of literary work more surely than direct utility or even intellectual power. This refinement is the more admirable for being in great part the reflection of his own moral nature. Without ostentation or affectation, he was exqui site in all things, a mirror of loyalty, courtesy and good
