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movements, which are, indeed, proof of its good manners. They are, moreover, no disadvantage for a promenade horse which is to be ridden by the same esquire who trained it; though the results are most distressing to a rider of less equestrian tact.


The walk of manege is simply a very slow walk, well cadenced, the steps equal and regular, and with the action of the legs less forward, but very much higher than in the ordinary walk.

It cannot be obtained except under the most perfect equilibrium, while the fingering must be even more precise than for the piaffer and the backward trot, which are derived from it. The rider's legs must maintain the center of gravity always exactly between the forces of the front and rear limbs, not allowing it the least motion from side to side, but only up and down with the step. The seat must be especially accurate, and the contact absolutely permanent. The least alteration of the balance will change the walk to the trot, if forward, or, if backward, will stop the horse.

To obtain the walk of manege, the rider gradually diminishes the speed of the ordinary walk, keeping the state of equilibrium as complete as possible. By the effects of opposition coupled with great accuracy of seat, and by the diagonal effect repeated in tempo, he asks slower and slower steps,