O. Thou wilt be known as wise and brave.
N. Enough; I'll do it, and put away all shame."
I have attempted to show what is distinctive of the genius of Sophocles in a fourfold manifestation: in his blending of a divine with a human character in the heroes; in his expression of the effort to reconcile progress with tradition; in his dramatic irony—that is, in the precision with which he brings out contrasts, especially between the purposes of men and of the gods, in order that the final solution may be more impressive; lastly, in his portrayal of character—not in a series of situations, but continuously through chapters of spiritual history. It has been seen that the instinct which rules his work under each of these aspects is what may be called in the largest sense the instinct of harmony. His imagination has a tranquil mastery of the twofold realm of Tragedy—the natural and the supernatural—and tempers the conflicting elements of each or both with a sure sense of fitness and just proportion.
It is for this reason—because of all the Greek poets he is the most perfectly an artist—that his poetry has a closer significance than any other for that form of plastic art which stands nearest to drama. It is the best interpreter of those pieces of Greek sculpture, such as the groups of Niobe and Laocoon, which express a moment of conflict between human and superhuman force. It has been said that for the Greeks beauty was the index on the balance of expression—that is, a central control governing the equipoise between terror and pity.
