Creator, he was on the other hand rapturously affected by her resplendent aspects. Jacob Böhme has a sense for nature. He preconceives, nay, he feels the joys of the mineralogist, of the botanist, of the chemist—the joys of “godless Natural science.” He is enraptured by the splendour of jewels, the tones of metals, the hues and odours of plants, the beauty and gentleness of many animals. In another place, speaking of the revelation of God in the phenomena of light, the process by which “there arises in the Godhead the wondrous and beautiful structure of the heavens in various colours and kinds, and every spirit shows itself in its form specially,” he says, “I can compare it with nothing but with the noblest precious stones, such as the ruby, emerald, epidote, onyx, sapphire, diamond, jasper, hyacinth, amethyst, beryl, sardine, carbuncle, and the like.” Elsewhere: “But regarding the precious stones, such as the carbuncle, ruby, emerald, epidote, onyx, and the like, which are the very best, these have the very same origin—the flash of light in love. For that flash is born in tenderness, and is the heart in the centre of the Fountain-spirit, wherefore those stones also are mild, powerful, and lovely.” It is evident that Jacob Böhme had no bad taste in mineralogy; that he had delight in flowers also, and consequently a faculty for botany, is proved by the following passages among others:—”The heavenly powers gave birth to heavenly joy-giving fruits and colours, to all sorts of trees and shrubs, whereupon grows the beauteous and lovely fruit of life: also there spring up in these powers all sorts of flowers with beauteous heavenly colours and scents. Their taste is various, in each according to its quality and kind, altogether holy, divine, and joy-giving.” “If thou desirest to contemplate the heavenly, divine pomp and glory, as they are, and to know what sort of products, pleasure, or joys there are above: look diligently at this world, at the varieties of fruits and plants that grow upon the earth,—trees, shrubs, vegetables, roots, flowers, oils, wines, corn, and everything that is there, and that thy heart can search out. All this is an image of the heavenly pomp.”[1]
A despotic fiat could not suffice as an explanation of the origin of Nature to Jacob Böhme; Nature appealed too strongly to his senses, and lay too near his heart; hence he sought for
- ↑ L. c. p. 480, 338, 340, 323.
