men of mark and dignity, for the judges who would award the prizes, for sage, grave members of the Areopagus, for archons in office, or for those who had already held office, for soldiers "famoused in fight," for ambassadors from Greek or foreign lands, for all who had some claim to precedence from their rank or their services to the commonwealth. Women were admitted to the tragedies at least, boys as well as men to all performances; even slaves were permitted to be present. The women, by Greek usage secluded at home, were probably assigned a particular apartment in the playhouse; the boys were perhaps of use, as often as an unpopular competitor for the crown tried his fortune once more; and possibly Euripides may have occasionally regretted the presence of these youthful censors. No registered citizen could plead poverty as a reason for not witnessing these theatrical contests; if he had not money in his purse, the state paid for his ticket of admission. To foreigners were commonly allotted the back seats; but so many mechanical devices were employed for the conveyance of sound, that unless a sitter in the gallery were hard of hearing, he could probably catch every line of the choral chant or the recitative of the dialogue. Nor might short-sighted people be quite forlorn; he was pitiable indeed who could not discern, vast as was the space between himself and the stage, the colossal actors mounted on their high boots, and raised by their tall head-dress above ordinary mortal stature. A purblind stranger might perchance regret that he could not distinguish in the stalls bald-headed Nicias from the long-haired Alci-
