practised it with some success, a picture by him being, long after his decease, exhibited at Megara, either as a creditable performance or a curiosity. The painter may have been of service to the poet; his dramas, especially the lyrical portions of them, display much fondness for words expressing colour. Painting was perhaps as useful an ally to the Greek poet, as skill in music was to Milton in the construction of his verse. The real business of Euripides turned out to be the cultivation of his mind, and not of his muscles. His lines were set in the (to him) always pleasant places of poetry and philosophy; his wrestling powers were to be exercised in combats with dramatic rivals, and still more hostile critics. And this was perhaps what the stars really said, only the stupid soothsayers did not read them aright. Such people have more than once brought those who consult them into trouble, as poor king Crœsus, long before Euripides was born, found to his cost. The instructors of Euripides in philosophy were Anaxagoras for physical and Protagoras for moral science. Prodicus gave him lectures in rhetoric, and the studies of his youth were confirmed, expanded, or corrected in his manhood by the good sense of Socrates, who, besides being a guide and philosopher, was also his friend. An education of this kind implies that either Mnesarchus was a man of fortune, or that his son early came into one, inasmuch as the Greek sophistical lecturers were quite as costly as many English private tutors are now. We do not know their actual terms, but we do know that they were beyond the reach of ordinary incomes. "Think," says Hippias to Soc-
