The consideration of these other plays of the same trilogy strengthens the impression that I receive already from the Trojan Women, an impression of some deepening of experience, some profound change that has worked into the writer's soul. Other critics, and notably Wilamowitz and Mr. Glover, have similarly felt that this play marks a turning point. It was not a change of front; it was not sudden; it was not dependent on visions or supernatural messages. It was the completion of a long process of strong feeling and intense thought, not the less sane because of its decided element of mysticism. It probably differed in many ways from the sudden and conscious conversions which began the ministry of certain Greek philosophers, both Cynic and Stoic, in the fourth and third centuries before Christ. It differed still more from the experience of Paul on the road to Damascus or Augustine beneath the fig-tree. But it does seem to me that in this tragedy the author shows a greatly increased sense of some reality that is behind appearances, some loyalty higher than the claims of friends or country, which supersedes as both false and inadequate the current moral code and the current theologies.
