begin by forgetting the modern stage altogether and thinking ourselves back to the very origins of drama.
The word "chorus" means, "dance" or "dancing-ground." There were such dancing floors on Greek soil before ever the Greeks came there. They have been found in prehistoric Crete and in the islands. We hear in Homer of the "houses and dancing-grounds" of the Morning Star. The dance was as old as mankind; only it was a kind of dance that we have almost forgotten. The ancient dance was not, like our ballets, rooted in sexual emotion. It was religious: it was a form of prayer. It consisted in the use of the whole body, every limb and every muscle, to express somehow that overflow of emotion for which a man has no words. And primitive man had less command of words than we have. When the men were away on the war-path, the women prayed for them with all their bodies. They danced for the men's safe return. When the tribe's land was parching for lack of rain the tribesmen danced for the rain to come. The dance did not necessarily imply movement. It might consist in simply maintaining the same rigid attitude, as when Moses held out his arms during the battle with the Amale-
