from the leaves, and as busy disposing itself in wreathes as the housewife on the hearth below. It is a hieroglyphic of man's life, and suggests more intimate and important things than the boiling of a pot. Where its fine column rises above the forest, like an ensign, some human life has planted itself,—and such is the beginning of Rome, the establishment, of the arts, and the foundation of empires, whether on the prairies of America, or the steppes of Asia.
And now we descend again to the brink of this woodland lake, which lies in a hollow of the hills, as if it were their expressed juice, and that of the leaves, which are annually steeped in it. Without outlet or inlet to the eye, it has still its history, in the lapse of its waves, in the rounded pebbles on its shore, and in the pines which grow down to its brink. It has not been idle, though sedentary, but, like Abu Musa, teaches that "silting still at home is the heavenly way; the going out is the way of the world." Yet in its evaporation it travels as far as any. In summer it is the earth's liquid eye; a mirror in the breast of nature. The sins of the wood are washed out in it. See how the woods form an amphitheatre about it, and it is an arena for all the genialness of nature. All trees direct the traveller to its brink, all paths seek it out, birds fly to it, quadrupeds flee to it, and the very
