solution, a ruby jelly is generally produced. In such ruby jelly the reduced particles of gold preserve their state and relative place, and the tint does not pass to blue, even though a considerable proportion of salt be present. Such jelly will remain in the air for weeks before it decays, and has every character, in colour and appearance, of gold ruby glass. It is hardly possible to examine the series of ruby glass, ruby membrane, ruby jelly cold and gelatinous, ruby jelly warm and fluid, and the ruby fluids, to consider their production, and then to conclude that the cause of their common ruby colour is not the same in all.
When the warm ruby jelly is poured into a capsule or on to a plate, allowed to gelatinize and then left in the air, it gradually becomes dry. When dry, some of these jellies remain ruby; others will probably be of an amethystine violet colour, or perhaps almost blue. When one of the latter is moistened with water, and has absorbed that fluid, it becomes gelatinous, and whilst in that state resumes its first ruby colour; but on being suffered to dry again, it returns to its amethystine or blue colour. This change will occur for any number of times, as often as the jelly is wetted and dried. Here the gold remains in the same metallic state through this great change of colour, the association or the absence of water being the cause: and the effect strengthens in my mind the thought before expressed, that in the ruby fluids the deposited particles are Frequently associates of water and gold. It is a striking case of the joint effect of the media and the gold in their action on the rays of light, and the most striking case amongst those where the medium may be changed to and fro.
When a ruby jelly is prepared with salt, and being warm is poured out in thin layers on to glass or porcelain, it first gelatinizes and then dries up; in which case the salt is excluded and crystallizes. When the dry jelly is put into cold water, the salt dissolves and can be removed. The jelly then swells to a certain amount, after which it can be left soaking in water for a week or longer, until everything soluble is separated. No change takes place in the ruby tint, no gold is removed. When the last water is poured off and the remaining jelly warmed, it melts, forming a line ruby fluid, which can either be dissolved in more water, or regelatinized, or be dried and preserved for
