Publisher's Note
Mr. Walker saw much more in these inimitable stories of Hans Christian Andersen than most people dream of. His imagination, taking flight from the words of the tale, soared into a distant fairy-land. Some things Dugald Stewart Walker has told us of his adventures in elfland, and these stories of his pictures, so charmed us that we persuaded him to write some of them down. The following is a description, in the artist's own words, of nine of his pictures.
THE LINING PAPER
FAIRY children are never bad until their second teeth come; and no one knows they are bad then except their mother. She thinks it is very pretty, but of course she pretends she doesn't. If she had a corner she would stand them in it, but as she hasn't, she takes her naughty child's chin in her hand, very gently, and she says: "Child, you have lost your nose. Go look for it at once. And if you don't stick your finger in the hole where your nose used to be before you find it, you will find a pot of gold at the same time." Now fairies, you know, never think; for if they did they would see they could not use a pot of gold if they found one. So before they stop to think, off sails each naughty fairy up into the air to look for its nose with its hands for oars, so that it can't stick its fingers into the hole where its nose used to be. And fanning its wings, it sails straight up into the air, and on still wings drifts down again—and up and down again it sails, looking all over the sky for its nose, which is another proof that it doesn't think, for what, pray, should its nose be doing there? Until by and by it forgets all about the pot of gold and forgets it is using its hands for oars. And then! Well, of course you know what it does at once. Just what you did with your tongue when you lost your tooth.
TAILPIECE, PAGE 41
The merchant's son told the king's daughter about the storks which bring little children up out of the river. But, of course, they weren,t in the river in
