Fancies versus Fads
Jerry's or Meredith's. But a strenuous reform has passed through our own cities, careful of the survival of the fittest, and we have been able to preserve the antic while abolishing the altar.
But though this form of reaction into ridicule, and even self-ridicule, is very natural, it is also very national; it is not the only human reaction against injustice, nor perhaps the most obvious. The Irishman has shot his landlord, the Italian has joined a revolutionary secret society, the Russian has either thrown a bomb or gone on a pilgrimage, long before the Englishman has come finally to the conclusion that existence is a joke. Even as he does so he is too fully conscious that it would be too bad as a tragedy if it were not so good as a farce. It is further to be noticed, for the fact is of ominous importance, that this topsy-turvy English humour has, during the last six or seven generations, been more and more abandoned to the poorer orders. Sir John Falstaff is a knight; Tony Weller is a coachman; his son Sam is a servant to the middle classes, and the recent developments of social discipline seem calculated to force Sam Weller into the status of the Artful Dodger. It is certain that a youth of that class who should do to-day a tenth of the things that Sam Weller did would in one way or another spend most of his life in jail. To-day, indeed, it is the main object of social reform that he should spend the whole of his life in jail; but in a jail that can be used as a factory. That is the real meaning of all the talk about scientific criminology and remedial penalties. For such outcasts, punishment is to be abolished by being perpetuated. When men propose to elim-
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