Page:Fancies versus Fads (1923).djvu/67

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Shakespeare and the Legal Lady
 

start with the assumption that it is not worth learning. The young lady will naturally begin to learn Law as gravely as she begins to learn Greek. It is not in that mood that she will conceive independent doubts about the ultimate relations of Law and Justice. Just as the Suffragettes are already complaining that the realism of industrial revolution interferes with their new hobby of voting, so the lady lawyers are quite likely to complain that the realism of legal reformers interferes with their new hobby of legalism. We are suffering in every department from the same cross-purposes that can be seen in the case of any vulgar patent medicine. In Law and Medicine, we have the thing advertised in the public press instead of analysed by the public authority. What we want is not the journalistic Portia but the theatrical Portia; who is also the real Portia. We do not want the woman who will enter the law court with the solemn sense of a lasting vocation. We want a Portia; a woman who will enter it as lightly, and leave it as gladly as she did.

The same thing is true of a fact nobler than any fiction; the story, so often quoted, of the woman who won back mediæval France. Joan of Arc was a soldier; but she was not a normal soldier. If she had been, she would have been vowed, not to the war for France, but to any war with Flanders, Spain or the Italian cities to which her feudal lord might lead her. If she were a modern conscript, she would be bound to obey orders not always coming from St. Michael. But the point is here that merely making all women soldiers, under either system, could do nothing at all except whitewash and ratify feudalism or conscription. And

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