tendency to injure him in a profession to which “he has applied with so arduous and intent a diligence, that he has had no leisure, if he had inclination, to compose anything of this kind (i.e. David Simple).” At the same time, he formally withdraws his promise, since it has in no wise exempted him from the scandal of putting forth anonymous work. From other passages in this “Preface,” it may be gathered the immediate cause of irritation was the assignment to his pen of “that infamous paultry libel” the Causidicade, a satire directed at the law in general, and some of the subscribers to the Miscellanies in particular. “This,” he says, “accused me not only of being a bad writer, and a bad man, but with downright idiotism, in flying in the face of the greatest men of my profession.” It may easily be conceived that such a report must be unfavourable to a struggling barrister, and Fielding’s anxiety on this head is a strong proof that he was still hoping to succeed at the Bar. To a subsequent collection of Familiar Letters between the Principal Characters in David Simple and some others, he supplied another preface three years later, together with five little-known epistles which, nevertheless, are not without evidence of his characteristic touch.
A life of ups and downs like Fielding’s is seldom remarkable for its consistency. It is therefore not surprising to find that, despite his desire in 1744 to refrain from writing, he was again writing in 1745. The landing of Charles Edward attracted him once more into the ranks of journalism, on the side of the Government, and gave rise to the True Patriot, a weekly paper, the first number of which appeared in November. This, having come to an end with the
