bar-parlour which he had noticed when he entered the place. This was a roomy, comfortable, bow-windowed apartment, looking out upon the High Street, and was furnished and ornamented with the usual appurtenances of country-town hotels. There were old chairs and tables and sideboards and cupboards, which had certainly been made a century before, and seemed likely to endure for a century or two longer; there were old prints of the road and the chase, and an old oil-painting or two of red-faced gentlemen in pink coats; there were foxes' masks on the wall, and a monster pike in a glass case on a side-table; there were ancient candlesticks on the mantelpiece and an antique snuff-box set between them. Also there was a small, old-fashioned bar in a corner of the room, and a new-fashioned young woman seated behind it, who was yawning over a piece of fancy needle-work, and looked at Spargo when he entered as Andromeda may have looked at Perseus when he made arrival at her rock. And Spargo, treating himself to a suitable drink and choosing a cigar to accompany it, noted the look, and dropped into the nearest chair.
"This," he remarked, eyeing the damsel with enquiry, "appears to me to be a very quiet place."
"Quiet!" exclaimed the lady. "Quiet?"
"That," continued Spargo, "is precisely what I observed. Quiet. I see that you agree with me. You expressed your agreement with two shades of emphasis, the surprised and the scornful. We may conclude, thus far, that the place is undoubtedly quiet."
The damsel looked at Spargo as if she considered him in the light of a new specimen, and picking up her
