Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/184

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166
THE WHITE COWL.

and fro where the leaves fell sadly from the moaning choir of English elms. Or at times he would take a little foot-path that led across the brown November fields, and, having gained a crest on the boundary of the valley, would stand looking far over the outward landscape into imaginary spaces, limitless and unexplored.

But Father Palemon, where was he? Amid what splendors of the great metropolis was he bursting Joy's grape against his palate fine? What of his dreams of love and duty, and a larger, more modern stature of manhood?


Late one chill, cloud-hung afternoon in November there came into the valley of Gethsemane the figure of a young man. He walked slowly along the road towards the abbey, with the air of one who is weary and forgetful of his surroundings. His head dropped heavily forward on his breast, and his empty hands hung listlessly down. At the iron gate of the porter's lodge entrance was refused him; the abbey was locked in repose for the night. Urging the importance of his seeing the abbot, he was admitted. He erased a name from a card and on it wrote another, and waited for the interview.

Again the same great dark room, lighted by a flickering spark. He did not stand half in light and half in shadow, but hid himself away in one of the darkest recesses. In a few moments the abbot entered, holding the card in his hand and speaking with tremulous haste:

"Father Palemon? who wrote this name, Father Palemon?"

Out of the darkness came a low reply:

"I wrote it."