became introduced, so that we find cone-shell tops, cowries, tiger's teeth and claws made up in variously coloured glass—blue, green, pink, &c., &c.
And what is still more remarkable, the natives, I understand, positively prefer this novel idea! Again, glass is giving way to celluloid, also in varied colours! and also to the, apparently, great satisfaction of the native. In respect to amber, however, this material is very effective as a substitute, and I very much question if a native, unaware of the electric test, would be able to detect the fraud. Real amber beads of large size are of considerable value, so that here we have an appreciable example of the advantage to the trader in such a cheap substitute as the example before us.
Perhaps, however, the most interesting examples of the collection are to be found in the series of arrowheads. Some of them are really large enough to be regarded as spearheads, but I think this merely an exaggeration in size. This form seems to have commenced as a fairly accurate copy in glass of an arrowhead of white chert, chalcedony, or red cornelian, but with the curious addition of a hole, which, I understand, is for the finger, these charms being worn on the hand. A very important feature, indeed the only mark of decoration, consists of three parallel lines across the base of the arrowhead, doubtless a survival of the lashing by which its prototype was fastened to its shaft. We next find this arrowhead merging into blue and other coloured glass, quite unlike any natural stone, and therefore becoming devoid of meaning (Plate IV., fig. 12a). The next type is of white glass, bearing the Ottoman symbol of the Star and Crescent in gold (fig. 12b.) Then we have gorgeous colouring of no apparent motive, one bearing the picture of a horseman, another a view of an African settlement, another a star arrangement, another the sign of the Christian Cross, two others again have the Crescent mixed up with other designs. Then we get still further advanced
