changed some with the years—composed of Indians, bad Americans, a scattering of Chinese, and an indescribable medley of humans from the four quarters of Europe, the Cockney, the Polack, the Swede, the Russian and the Italian—laborers on the construction gangs. Big Cloud was a little more than rough and ready—it wasn't exactly what you'd call a health resort for finnicky nerves.
So, take it by and large, the Hill Division, from one end to the other, wasn't the quietest or most peaceful locality on the map even before the trouble came. After that—well, mention the Big Strike to any of the old-timers and they'll talk fast enough and hard enough and say enough in a minute to set you wondering if the biographers hadn't got mixed on dates and if Dante hadn't got his material for that little hair-stiffener of his no further away than the Rockies, and no longer back than a few years ago. But no matter
The story opens on the strike—not the ethics of it. There's some hard feeling yet—too much of it to take sides one way or the other. But then, apart from that, this is not the story of a strike, it is the story of men —a story that the boys tell at night in the darkened roundhouses in the shadow of the big ten-wheelers on the pits, while the steam purrs softly at the gauges and sometimes a pop- valve lifts with a catchy sob. They tell it, too, across the tracks at headquarters, or on the road and in construction camps; but they tell it better, somehow, in the roundhouse, though it is not an engineer's tale—and Clarihue, the night turner, tells it best of all. Set forth as it is here it takes no rank
