conjure with. And, yes, it was quite true, he had entered into it all, gone the limit, with an eagerness that was insatiable.
The bus had reached the lower end of Fifth Avenue, passed through Washington Square, and stopped at the end of its run. Jimmie Dale clambered down from the top, threw a pleasant "good-night" to the conductor, and headed briskly down the street before him. A little later he crossed into West Broadway, and his pace slowed to a leisurely stroll.
Here, at the upper end of the street, was a conglomerate business section of rather inferior class, catering doubtless to the poor, foreign element that congregated west of Broadway proper, and to the south of Washington Square. The street was, at first glance, deserted; it was dark and dreary, with stores and lofts on either side. An elevated train roared by overhead, with a thunderous, deafening clamour. Jimmie Dale, on the right-hand side of the street, glanced interestedly at the dark store windows as he went by. And then, a block ahead, on the other side, his eyes rested on an approaching form. As the other reached the corner and paused, and the light from the street lamp glinted on brass buttons, Jimmie Dale's eyes narrowed a little under his slouch hat. The policeman, although nonchalantly swinging a nightstick, appeared to be watching him.
Jimmie Dale went on half a block farther, stooped to the sidewalk to tie his shoe, glanced back over his shoulder—the policeman was not in sight—and slipped like a shadow into the alleyway beside which he had stopped.
It was another Jimmie Dale now—the professional Jimmie Dale. Quick as a cat, active, lithe, he was over a six-foot fence in the rear of a building in a flash, and crouched, a black shape, against the back door of an unpretentious, unkempt, dirty, secondhand shop that fronted on West Broadway—the last place certainly in all New York that the managing editor of the News-Argus, or any one else, for that matter, would have picked out as the setting for the second début of the Gray Seal.
