her own back against the wall in an effort to save herself, only herself to carry the burden of the responsibility of doing something—to save a man's life.
It seemed to plumb the depths of irony and mockery. She could not make a move as Gypsy Nan. It would only result in their turning upon her, of the discovery that she was not Gypsy Nan at all, of the almost certainty that it would cost her her own life without saving the Sparrow's. That way was closed to her from the start. As the White Moll, then? Outside there in the great city, every plain-clothes man, every policeman on every beat, was staring into every woman's face he met—searching for the White Moll.
She wrung her hands in cruel desperation. Even to her own problem she had found no solution, though she had wrestle4 with it all last night, and all through the day; no solution save the negative one of clinging to this one refuge that remained to her, such as it was, temporarily. She had found no solution to that; what solution was there to this! She had thought of leaving the city as Gypsy Nan, and then somewhere, far away, of sloughing off the character of Gypsy Nan, and of resuming her own personality again under an assumed name. But that would have meant the loss of everything she had in life, her little patrimony, the irredeemable stamp of shame upon the name she once had owned; and also the constant fear and dread that at any moment the police net, wide as the continent was wide, would close around her, as, sooner or later, it was almost inevitable that it would close around her. It had seemed that her only chance was to keep on striving to play the rôle of Gypsy Nan, because it was these associates of Gypsy Nan who were at the bottom of the crime of which she, Rhoda Gray, was held guilty, and because there was always
