that she obeyed. She did not want to see the horror beneath, but she followed his order in a daze. The sheet came away under her touch, and she was looking into the sallow face of Bill Dozier. She had remembered him because of the sad mustaches, that morning, and his big voice.
"That's what your romantic boy out of a book has done," said Charles Merchant. "Look at his work!"
But she dropped the sheet and whirled on him.
"And they left him" she said.
"Anne," said he, "are you thinking about the safety of that murderer—now? He's safe, but they'll get him later on; he's as good as dead, if that's what you want to know."
"God help him!" said the girl.
And going back a pace, she stood in the thick shadow, leaning against the wall, with one hand across her lips. It reminded Charles of the picture he had seen when he broke into her room after Andrew Lanning had escaped. And she looked now, as, then, more white, more beautiful, more wholly to be desired than he had ever known her before. Yet he could neither move nor speak. He saw her go out of the room with staring eyes. Then, without stopping to replace the sheet, he followed.
He had hoped to wipe the last thought of that vagabond blacksmith out of her mind with the shock of this horror. Instead, he knew now that he had done quite another thing. And in addition he had probably made her despise him for taking her to confront such a sight.
All in all, Charles Merchant was exceedingly thoughtful as he closed the door and stepped into the hall. He ran up the stairs to her room. The door was closed. There was no answer to his knock, and by trying the knob he found that she had locked herself in. And the
